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State of the Art: April 2021 ›
Almost a year ago now, in anticipation of the live opening of The Last Match, I wrote the following as part of my State of the Art letter:
“In unprecedented times, I think ... Read More ›
The New Narrative ›
Pictured Glenn Obrero (Manford) in Steppenwolf’s production of The Great Leap by Lauren Yee, directed by Jesca Prudencio in the Upstairs Theatre, 1650 ... Read More ›
A Theatrical Rally ›
An interview with Anna Ziegler & Keira Fromm
In January 2020, the playwright and director of The Last Match discussed playwriting and tennis with Director of New Work & Dramaturgy Bobby KennedyPictured: ... Read More ›
Notes from the Rehearsal Room—THE LAST MATCH #2 ›
It’s day three of tech, and already I can see the magic of The Last Match growing. A tennis piece that travels across time and memory is no easy feat, and the ... Read More ›
Notes from the Rehearsal Room—THE LAST MATCH #1 ›
Sergei: I serve at Love – 2, and I want. I want and I want and I want and I want. There are thousands of people here tonight and if each one ... Read More ›
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